A publisher of young adult books doesn’t have to deal with the genre prejudice of the adult market. Children’s books are divided on the bookshelves by age, not by subject. (…) Genre definitions mean nothing. You want to write a steampunk post-apocalypse adventure full of cities that drive around eating each other? Or a book about a child passing through alternate realities in search of a weak and feeble God? Or a dystopian sci-fi about an underground city that’s running out of light? Go for it!
Such ideas would be risky prospects at best in the adult market. Books that don’t fit into easily recognisable pigeonholes traditionally struggle in comparison to those that do. Straight-out fantasy and SF are much safer bets than something genre-straddling and unfamiliar. Just look at the big sellers in the field if you need evidence.
Not so the YA market. (…) YA genre fiction isn’t interested in the rules and regulations of the adult world, which is exactly why we need it most. It’s innocent, unjaded, full of possibility and promise. And, just like the readers it represents, it might even have a thing or two to teach the grown-ups.